Bram Kempers presents the period of the Renaissance as a process of the developing professionalization of the artist, with a line of patronage stretching from the mendicant orders and city states, through merchant families, princely and ducal rulers, to the great papal courts of Rome. Dr Kempers shows how the unprecedented - and perhaps unsurpassed - creativity of Renaissance a...(展开全部)

For nineteenth-century Swiss historian Jacob Burckhardt, the Italian Renaissance was nothing less than the beginning of the modern world - a world in which flourishing individualism and the competition for fame radically transformed science, the arts, and politics. In this landmark work he depicts the Italian city-states of Florence, Venice and Rome as providing the seeds of a ...(展开全部)

For nineteenth-century Swiss historian Jacob Burckhardt, the Italian Renaissance was nothing less than the beginning of the modern world - a world in which flourishing individualism and the competition for fame radically transformed science, the arts, and politics. In this landmark work he depicts the Italian city-states of Florence, Venice and Rome as providing the seeds of a ...(展开全部)

In this brilliant and widely acclaimed work, Peter Burke presents a social and cultural history of the Italian Renaissance. He discusses the social and political institutions which existed in Italy during the fifteenth and sixteenth centuries and analyses the ways of thinking and seeing which characterized this period of extraordinary artistic creativity. Developing a distincti...(展开全部)

彼得·伯克是英国剑桥大学的文化史教授；剑桥大学埃马纽埃尔学院的研究员。他先前出版的著作包括：《欧洲近代早期的大众文化》（PopularCultureinEarlyModemEurope，1978）、《近代早期意大利的历史人类学解（HistoricaIAnthropologyofEarlyModernItaly，1987）、（《廷臣的命运》（The Fortunes ofthe Courtier，1995）、《历史学与社会理论》（hstoryandSociaL　ThoerY，1992）、《多元的文化史》（VarietiesofCulturalHistorp；1997）。

This book traces the intellectual life of the Kingdom of Italy, the area in which humanism began in the mid thirteenth century, a century or more before exerting its influence on the rest of Europe. Covering a period of over four and a half centuries, this study offers the first integrated analysis of Latin writings produced in the area, examining not only religious, literary, ...(展开全部)

This book traces the intellectual life of the Kingdom of Italy, the area in which humanism began in the mid thirteenth century, a century or more before exerting its influence on the rest of Europe. Covering a period of over four and a half centuries, this study offers the first integrated analysis of Latin writings produced in the area, examining not only religious, literary, ...(展开全部)

This highly acclaimed volume examines the one firm bridge between the art of the humanists and the painters of the early Italian Renaissance: what Petrarch and other humanists wrote about painting. Baxandall surveys the main themes of their art criticism and describes how their language conditioned their insights into painting.

This highly acclaimed volume examines the one firm bridge between the art of the humanists and the painters of the early Italian Renaissance: what Petrarch and other humanists wrote about painting. Baxandall surveys the main themes of their art criticism and describes how their language conditioned their insights into painting.

'This brilliant, stimulating study in the history of ideas should become indispensible for Renaissance art historians, and for philosophers interested in the history of the philosophy of mind and in what might be called the 'pre-history' of aesthetics.' Choice 'ith the rise of naturalism in the art of the late Middle Ages and the Renaissance there developed an extensive and div...(展开全部)